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YFT : Shopping : Music : Third
  

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Third by: Portishead


 : Third
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List Price: $13.98
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Binding: Audio CD
EAN: 0602517664005
Label: Mercury
Manufacturer: Mercury
Number Of Discs: 1
Publisher: Mercury
Release Date: April 29, 2008
Studio: Mercury
Sales Rank: 85
MPN: 001114102




Disc 1:
  1. Silence
  2. Hunter
  3. Nylon Smile
  4. The Rip
  5. Plastic
  6. We Carry On
  7. Deep Water
  8. Machine Gun
  9. Small
  10. Magic Doors
  11. Threads
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Editorial Review:

Amazon.co.uk:
Portishead's Third has been a long time coming, the result of a lengthy creative torpor following 1997's dark, distinctly underrated album Portishead. Importantly, though, they've shaken it. While the core trio of Beth Gibbons, Geoff Barrow, and Adrian Utley remains, this is quite a different band to Portishead's 90s incarnation: gone is the slo-mo turntable scratching and smoky jazz feel, replaced by heavy, brooding rhythms, vintage-sounding electronics, and spindly guitar. Still present, though, is that sense of emotional fracture and deep gloom. "Silence" opens with a dense drum loop which suddenly falls away to reveal Gibbons' voice, cold but magnificent: "Wounded and afraid, inside my head/Falling through changes". "Nylon Smile", meanwhile, is a fine example of Third's occasional folksy edge, an acoustic song reminiscent of Leonard Cohen that, around its midpoint, lifts off on a propulsive electronic rhythm, Gibbons holding one clear, hard note as synthesisers bubble beneath. At times, it's a harsh and foreboding listen: the electronic drums of "Machine Gun" might put off the listener hoping for smooth dinner party fare. But Third is a brave and forward-thinking return, and one great enough to justify its lengthy gestation. --Louis Pattison



Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - Stick with it, kids..
Okay, I pre-ordered this one and was going to review it almost instantly... I'm so very glad I didn't. At first, with the (Portugese?) opening and off-center bass, you realize that there's no way this is going to sound like their previous stuff (in ways both good and potentially bad), but go with it - the more attention you give it, the more you can hear. The way certain songs don't seem to flow into the next one seems to be offset by the way other songs do - almost like a suite of sorts later ... Read More



Rating: 5 out of 5 stars - Great Album!
only one thing to say remember to play this album as a 45 not a 33 sounds silly but thats how they set it up...



Rating: 5 out of 5 stars - Converting the Unconverted
This is a genuinely avant-garde album, with all kinds of unexpected twists and turns. It is not tuneful the way of trip hop--this album is more "out there."

I didn't like their earlier records all that much, they didn't seem to do "tuneful" trip hop as well as, say, Morcheeba, and the odd touches they threw in struck me as relatively tame.

Very little about this records is tame. I wouldn't recommend this one for everyone, but if your musical tastes are edgy, this is definitely ... Read More



Rating: 4 out of 5 stars - A nice and refreshing listen.
2008 could not have possibly been a better time for me to hear a new Portishead album. My fandom is probably bigger than it's ever been before and the fact that it does not repeat the classic formula via crowd pleasing makes it all the more engaging a listen. And the album doesn't even sound that un-Portishead in the first place. It's possibly not the strongest album they've released yet but there's plenty of quality material to be found here.

And it's not like the songs themselves sound individually ... Read More



Rating: 5 out of 5 stars - Striking
Eleven years is a long time between releases. It's been awhile since their albums were in heavy rotation on my playlist, but this sounds just as good if not better than anything they've out out. I can't understand people waiting eleven years and then being disappointed that the new album is not exactly like the last one. Things change, I guess a lot of people don't, or are in denial. Anyway, you would recognize this as a Portishead album immediately on hearing, and it's new, different, and good.

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